Top: House by the Railroad, 1925 (Edward Hopper)
Bottom: Days of Heaven, 1978 (dir. Terrence Malick)
(via bbook)
Top: House by the Railroad, 1925 (Edward Hopper)
Bottom: Days of Heaven, 1978 (dir. Terrence Malick)
(via bbook)
On Google+ earlier today:
Me: XX, re. The Tree of Life: David Denby of the New Yorker has some good stuff to say about that film. I like how he calls it an “insufferable masterpiece”. He might be right: it might have annoyed the hell out of me, but it did give me the sense that I was watching something special. (Also, great performance by Brad Pitt, I totally agree.)
Charlie Rose - A look at Summer Movies
XX: I’ll take a look — read this review this afternoon: http://www.guardian.co.uk/film/filmblog/2011/jul/11/tree-life-terrence-malick
Me: ah yes, a big Christian commercial maybe? (ref to this other Guardian review: http://www.guardian.co.uk/film/2011/jul/07/the-tree-of-life-review
(btw, Badland and Days of Heaven are two films by Malick that I highly recommend.)
The Tree of Life (2011) by Terrence Malick
Wow. I’m stunned at how quickly I went from pure amazement and awe to complete annoyance and irration. Five minutes in and I knew I was going to love this film. I just knew it. But then, cut to the rolling end credits and I was pretty much shouting at the screen demanding my money back.
I don’t think there’s one single shot in The tree of Life that is not short of sublime, but then the whole thing is just a rambling thread of stunning shots. And all that incessant whispering really got on my nerves. “I give you my son” she whispers to God. Whatever.
And still not released in the UK. Jesus be fucked, I am tired of waiting.
(via lepoinconneurdeslilas)
The Tree Of Life (2011) by Terrence Malik
“A Texas boy’s journey from the innocence of childhood to his disillusioned adult years as a ‘lost soul in the modern world’, and his quest to regain meaning in life.” — Summit Entertainment
A 1950s period piece featuring some surreal and sci-fi elements?… Well, we know it’s going to be fucking beautiful, as his films always are. So that’s that, at least.
[Scheduled to premiere at Cannes]
Days of Heaven (1978) by Terrence Malick
Sissy Spacek in Badlands (1973) by Terrence Malick
She and Martin Sheen are quite the pair in this movie. The Once and Future Blonde and I agree that what makes their characters so remarkable is how slightly off both performances are.
Sidenote: Among the many qualities in the few Malick’s films I’ve seen is a certain ‘quietness’ that I find particularly appealing.
Days of Heaven (1978) by Terrence Malick
(via branduponthebrain: adamngoodshot)