Posts tagged with movie trailer

Paranormal Activity (2007) by Oren Peli

A lot about this film reminds me of The Blair Witch Project: the low budget, the hand-held camera style of filming, the retroscripting, the slow build up, the tapping into our most basic fears (especially that of the dark)… The major difference of course is that Paranormal is great and Blair Witch is certainly not. (Note on the latter: while some people reportedly walked out of the movie because they were scared shitless, I distinctly remember almost walking out because I was bored out of my mind.)

Paranomal is brilliantly constructed, the tension mounts at just the right pace and culminates with a perfect ending (ref to the theatrical version — there are a few different versions out there and in my opinion they’ve made the right choice).

Kudos to the two actors, Micah and Katie; I found their portrayal of intimacy particularly truthful and considering that a lot of the terror takes place in the bedroom, it’s no small detail.

Sidenote: the reaction of the audience shown in the trailer is a tad over the top…A door moving of its own accord doesn’t leave me indifferent but that’s simply not enough to make me jump and leap into the arms of the person next to me.

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Cold Souls (2009) by Sophie BarthesI saw the trailer for this yesterday and at first it looked like an annoying, lesser version of Eternal Sunshine of the Spotless Mind… “Giamatti stars as a fictionalised version of himself, an anxious, overwhelmed actor who decides to enlist the service of a company to deep freeze his soul” (— wiki). But then, as he tries to get his soul back (Joss? I know you’re hiding somewhere), he finds out that it’s been smuggled to Russia as part of a soul trafficking scheme. And that, to me, sounds like a rather cool plot twist. Giamatti in Russia? I’m in.

Cold Souls (2009) by Sophie Barthes

I saw the trailer for this yesterday and at first it looked like an annoying, lesser version of Eternal Sunshine of the Spotless Mind… “Giamatti stars as a fictionalised version of himself, an anxious, overwhelmed actor who decides to enlist the service of a company to deep freeze his soul” (— wiki). But then, as he tries to get his soul back (Joss? I know you’re hiding somewhere), he finds out that it’s been smuggled to Russia as part of a soul trafficking scheme. And that, to me, sounds like a rather cool plot twist. Giamatti in Russia? I’m in.

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Tales from the Golden Age (2009) by a few Romanian directors under the supervision of Cristian Mungiu
The final 15 years of the Ceausescu regime were the worst in Romania’s history. So of course, the propaganda machine of that time decided to refer to that period as “the golden age”. Now,  if humor is what kept Romanians alive under Ceausescu, then Tales from The Golden Age captures that mood perfectly. The film is a collection of five cine-sketches, each story portraying a different aspect of every day life in Romania under the hated regime. It’s mainly about the survival of a nation having to face the totally absurd and twisted logic of a dictatorship.
I’m not familiar with the new wave of Romanian cinema (most notably Cristian Mungiu’s critically acclaimed 4 Months, 3 Weeks and 2 Days and Cristi Puiu’s The Death of Mr Lazarescu), but I hear that Tales from The Golden Age stands out as a more commercial attempt to reach a wider international audience.
But even though the comedy in the film feels quite light and no matter how funny and farcical you find each situation, you never lose sight of how fucking sad it all is.Check out the trailerCheck out Philip French’s review in The Guardian
»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»More detailed synopsis + some personal rambling:> Story one: The Legend of the Official Visit:“… about a village preparing frantically to Potemkinise their dismal community before the arrival of a party bigwig, but when an underling arrives to say that the visit is cancelled, everyone piles on to a fairground carousel swing in a mood of delirious relief. Too late, they realise they can’t stop, because no one can reach the off button – they must just whirl on until the machine runs out of fuel 12 hours later: a great image for incompetence, insincerity and an eternity of desperation.” — Philip French, The GuardianIn fact: on the occasion of Ceausescu’s working visits, countryside mayors ended up hanging fruit in trees to make sure their villages would be noticed, obeying even the strangest orders from the ferocious Party activists (at one point in the story, when the mayor is showing the Party Inspector some pigeons, explaining that he’d make them fly as a welcome to the official escort, the inspector gave him a bored look and said “make them white”).> Story two: The Legend of the Party Photographer:An official photo-retoucher has the job of making Ceausescu look as tall and imposing as Giscard d’Estaing during that pre-Photoshop era. Then he had to make him wear a hat. And do that in time for the newspapers to hit the stands the next morning. At some point, someone actually shouted “Stop the presses”… Yes, you guessed as much: serious cock-up and hilarity ensued.In fact: communist party secret regulations stated that in official pictures, President Ceausescu couldn’t take his hat off in front of the representatives of the rotten capitalistic world.On a more personal note: I seriously felt for that poor pre-press guy as he collapsed in his chair, clutching his chest, after someone had shown him the photo cock-up on the front page of the newspaper. This story particularly touched me for I’ve experienced this sort of situation first hand in places like Russia and Uzbekistan, and, believe me, just like the protagonists in the story, I wasn’t laughing then. > Story three: The Legend of the Chicken Driver:This one is rather tragic. A truck driver has the task of trucking chickens across country in food-strapped Romania, under strict orders not to stop. But then, there’s this woman he lusts for and want to impress with chicken eggs. And that’s when things go bad. > Story four: The Legend of the Greedy Policeman:A cop scores a pig from his brother-in-law. All OK so far. Except that the pig is brought to him alive. Now, the problem for our cop is to find a way to slaughter the pig discretely so as not to alert the neighbours to his pork supply. So of course, he choses to gas the animal in his kitchen”…I’d personally re-title this story “pig explosion”.> Story five: The Legend of the Air Sellers:A couple of students embark on a confidence scam to part people from glass bottles, which can be sold for cash. The “bottled air” scam is quite ingenious actually but only made possible by the absurdity of life under Ceausescu.Myth: rumor has it that, in the golden age, a lot of Romanians purchased their cars by reselling empty bottles.

Tales from the Golden Age (2009) by a few Romanian directors under the supervision of Cristian Mungiu


The final 15 years of the Ceausescu regime were the worst in Romania’s history. So of course, the propaganda machine of that time decided to refer to that period as “the golden age”. Now, if humor is what kept Romanians alive under Ceausescu, then Tales from The Golden Age captures that mood perfectly.

The film is a collection of five cine-sketches, each story portraying a different aspect of every day life in Romania under the hated regime. It’s mainly about the survival of a nation having to face the totally absurd and twisted logic of a dictatorship.

I’m not familiar with the new wave of Romanian cinema (most notably Cristian Mungiu’s critically acclaimed 4 Months, 3 Weeks and 2 Days and Cristi Puiu’s The Death of Mr Lazarescu), but I hear that Tales from The Golden Age stands out as a more commercial attempt to reach a wider international audience.

But even though the comedy in the film feels quite light and no matter how funny and farcical you find each situation, you never lose sight of how fucking sad it all is.

Check out the trailer
Check out Philip French’s review in The Guardian


»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»

More detailed synopsis + some personal rambling:

> Story one: The Legend of the Official Visit
:
“… about a village preparing frantically to Potemkinise their dismal community before the arrival of a party bigwig, but when an underling arrives to say that the visit is cancelled, everyone piles on to a fairground carousel swing in a mood of delirious relief. Too late, they realise they can’t stop, because no one can reach the off button – they must just whirl on until the machine runs out of fuel 12 hours later: a great image for incompetence, insincerity and an eternity of desperation.” — Philip French, The Guardian

In fact: on the occasion of Ceausescu’s working visits, countryside mayors ended up hanging fruit in trees to make sure their villages would be noticed, obeying even the strangest orders from the ferocious Party activists (at one point in the story, when the mayor is showing the Party Inspector some pigeons, explaining that he’d make them fly as a welcome to the official escort, the inspector gave him a bored look and said “make them white”).

> Story two: The Legend of the Party Photographer
:
An official photo-retoucher has the job of making Ceausescu look as tall and imposing as Giscard d’Estaing during that pre-Photoshop era. Then he had to make him wear a hat. And do that in time for the newspapers to hit the stands the next morning. At some point, someone actually shouted “Stop the presses”… Yes, you guessed as much: serious cock-up and hilarity ensued.

In fact: communist party secret regulations stated that in official pictures, President Ceausescu couldn’t take his hat off in front of the representatives of the rotten capitalistic world.

On a more personal note: I seriously felt for that poor pre-press guy as he collapsed in his chair, clutching his chest, after someone had shown him the photo cock-up on the front page of the newspaper. This story particularly touched me for I’ve experienced this sort of situation first hand in places like Russia and Uzbekistan, and, believe me, just like the protagonists in the story, I wasn’t laughing then.

> Story three: The Legend of the Chicken Driver
:
This one is rather tragic. A truck driver has the task of trucking chickens across country in food-strapped Romania, under strict orders not to stop. But then, there’s this woman he lusts for and want to impress with chicken eggs. And that’s when things go bad.

> Story four: The Legend of the Greedy Policeman:
A cop scores a pig from his brother-in-law. All OK so far. Except that the pig is brought to him alive. Now, the problem for our cop is to find a way to slaughter the pig discretely so as not to alert the neighbours to his pork supply. So of course, he choses to gas the animal in his kitchen”…I’d personally re-title this story “pig explosion”.

> Story five: The Legend of the Air Sellers
:
A couple of students embark on a confidence scam to part people from glass bottles, which can be sold for cash. The “bottled air” scam is quite ingenious actually but only made possible by the absurdity of life under Ceausescu.

Myth: rumor has it that, in the golden age, a lot of Romanians purchased their cars by reselling empty bottles.

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The Cove (2009) by Louie Psihoyos

Powerful documentary following a team of marine activists and filmmakers as they put together a black op to infiltrate the heavily guarded cove of Taiji, a remote village in Japan, where more than 20,000 dolphins get slaughtered every year. It’s a blood bath and the footage they snatched of the entire cove turning red is disturbing.
Now I really want to free Willy.

Ironically, I went to see this film right after devouring my own weight in sushi at Ten Ten Tei, my favourite Japanese caf in London. Anyway, remember folks: chose the safest fish to eat.

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A serious Man (2009) by the Coen Brothers

What a great trailer. Impossible to tell if I’m going to love or loath this film, but I’m pretty sure it’s going to be one or the other.

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International trailer for Terry Gilliam’s The Imaginarium of Doctor Parnassus

via leapers:

via thedailywhat:

Features a first look at Johnny Depp, Jude Law, and Colin Farrell jointly taking on the role left vacant following Heath Ledger’s untimely death in January of ‘08.

[via.]

Awesome.

Awesome doesn’t cover it. I’m going all caps on this one, and with a pause halfway through for dramatic effect. AWE…SOME.

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Trailer for Sherlock Holmes (2009) by Guy Ritchie

The buzz on Sherlock Holmes has completely gone over my head… which is quite odd; doing a quick tumblr search now, I can see that at least three of the people I follow closely on tumblr have posted mutliple teaser posters and trailers. Oh well… Thanks Dowelikeit for your latest post; it led me to the trailer, which I find absolutely flawless: the promise of great chemistry among the three main protagonists, a slacker-type hero with an edge that only Robert Downey Jr and Johnny Depp can pull off these days, some funny banter and some kick-ass action sequences. Can’t wait.

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Antichrist (2009) by Lars Von Trier

I’m not sure if Antichrist falls under the marmite category (i.e the you-either-love-it-or-hate-it category) but for the record, I hate marmite (with a passion) and I loved this film. For one thing, it’s beautifully shot (the prologue, in particular, is a pure work of art). Also, I’m a sucker for tragic themes and I find grief to be very poetic and cinematic. Add to grief psychotic and obsessive behavior and you’ve got me hooked. This is all very reminiscent of Don’t Look Now and interestingly enough, both movies feature great love scenes.

I don’t quite understand why critics are so outraged by the graphic scenes and why Antichrist had to be labelled the most shocking film ever shown at Cannes. There are only two short controversial moments in the film (granted, one is particulalry difficult to watch); neither is more disturbing than what’s been done before in, say, Haneke’s The Piano Teacher, and nothing about those scenes felt gratuitous to me.

What did bother me however was the repetitive and heavy layers of religious symbolism but I can easily live with that considering how beautifully shot and acted this film is. Charlotte Gainsbourg is mesmerizing throughout.

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Teaser Trailer for Tim Burton’s Alice in Wonderland (via leapers)

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benjaminf:

bauldoff:

Flynn lives! I am pretty psyched about the Tron Legacy conceptual trailer that is now officially released to the public. Originally shown at the 2008 Comic-Con, this trailer has been the stuff of cell phone cam legend for about a year now.
The new Light Cycles are the work of futurist Daniel Simon, named as Vehicle Designer for the film. His innovative work is worth a blog post of their own.
The film opens in 2010 with Daft Punk providing the score! End of line.

Best roundup so far.

benjaminf:

bauldoff:


Flynn lives! I am pretty psyched about the Tron Legacy conceptual trailer that is now officially released to the public. Originally shown at the 2008 Comic-Con, this trailer has been the stuff of cell phone cam legend for about a year now.

The new Light Cycles are the work of futurist Daniel Simon, named as Vehicle Designer for the film. His innovative work is worth a blog post of their own.

The film opens in 2010 with Daft Punk providing the score! End of line.

Best roundup so far.

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Ponyo on the cliff by the sea (near Kafka’s shore) by God Himself i.e. Hayao Miyazaki

I’ve seen so many of Ghibli’s animes that it feels like I’ve seen them all. Except for Miyazaki’s latest that is (not released in the UK yet…and who knows when that will happen). This looks like an old-fashioned Miyazaki film, which is a real treat for hard-core fans such as me, but is bound to be utterly uninteresting for people not familiar with Studio Ghibli. To those people, I’d recommend they start with Princess Monoke, Spirited Away and My Neighbor Totoro before delving any further into the Miyazaki-verse.

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The trailer for Religulous (Bill Maher’s take on religion) is rather funny I think, and an April UK release is simply ridiculous considering it’s been out in the US since October.  Sorry, I’m not waiting this long. I’m Vuzing its ass.

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The Man from London (2007) by Béla TarrA black&white Hugarian film adaptation of a book by Belgium crime novelist Georges Simenon.
At first, it feels like this film is trying very hard to put you to sleep but then wake you up from time to time just to make you go “huh?”. It’s very slow-paced, the camera likes to linger on pretty much anything that gets in the frame, the dialogue is very minimalistic, the French and English dubbing by the actors sounds badly done (intentionally so), the music score is monotone, everybody in the film seems depressed (apart from a couple of fur salesmen) and the French town where the action is meant to take place really looks like some remote and desolated town somewhere in Eastern Europe. I loved it. It’s such a unique piece, very arty but done without any pretention, it’s stylistically stunning, it’s got a real story hook, emotional drama and it still makes room for a couple of scenes of pure absurd comedy. I’ve found on the web a fantastic review that really does the film justice.

The Man from London (2007) by Béla Tarr

A black&white Hugarian film adaptation of a book by Belgium crime novelist Georges Simenon.

At first, it feels like this film is trying very hard to put you to sleep but then wake you up from time to time just to make you go “huh?”. It’s very slow-paced, the camera likes to linger on pretty much anything that gets in the frame, the dialogue is very minimalistic, the French and English dubbing by the actors sounds badly done (intentionally so), the music score is monotone, everybody in the film seems depressed (apart from a couple of fur salesmen) and the French town where the action is meant to take place really looks like some remote and desolated town somewhere in Eastern Europe. I loved it. It’s such a unique piece, very arty but done without any pretention, it’s stylistically stunning, it’s got a real story hook, emotional drama and it still makes room for a couple of scenes of pure absurd comedy.

I’ve found on the web a fantastic review that really does the film justice.

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(via britticisms)I seem to remember that Godard said of A Bout De Souffle that he was pissed off about the sucess of that film and that he wasn’t making films for people to watch… or something of that nature. Yeah, the guy is a prick, but what a great film he’s made there.

(via britticisms)

I seem to remember that Godard said of A Bout De Souffle that he was pissed off about the sucess of that film and that he wasn’t making films for people to watch… or something of that nature. Yeah, the guy is a prick, but what a great film he’s made there.

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